
Rosewater is based on The New York Times best-selling memoir "Then They Came for Me: A Family‘s Story of Love, Captivity, and Survival," written by Maziar Bahari. The film marks the directorial debut of "The Daily Show" host Jon Stewart, and stars Gael Garcia Bernal. Rosewater follows the Tehran-born Bahari, a broadcast journalist with Canadian citizenship. In June 2009, Bahari returned to Iran to interview Mir-Hossein Mousavi, who was the prime challenger to president Mahmoud Ahmadinejad. As Mousavi‘s supporters rose up to protest Ahmadinejad‘s victory declaration hours before the polls closed, Bahari endured personal risk by sending footage of the street riots to the BBC. Bahari was arrested by police, led by a man identifying himself only as "Rosewater," who tortured and interrogated him over the next 118 days. With Bahari‘s wife leading an international campaign to have her husband freed, and Western media outlets keeping the story alive, Iranian authorities released Bahari on $300,000 bail and the promise he would act as a spy for the government. (C) Open Road Films.
About Rosewater
Artist : Gael Garcia Bernal, Kim Bodnia, Haluk Bilginer, Shohreh Aghdashloo, Golshifteh FarahaniAs : Maziar Bahari, Rosewater, Baba Akbar, Moloojoon,
Title : Rosewater Aanhangwagen Review
Release date : 2014-11-14
Movie Code : 2752688
Duration : 103
Category : Drama
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Comment For Rosewater Regarder Gratuitment

Stewart does a credible job of maintaining the story's immediacy, but I must say I felt relieved that the film wasn't a masterpiece. If it was, we'd have more reason to fear Stewart will leave The Daily Show.

"Rosewater" is a reminder that America may have its critics, but at least there's little danger of the average citizen being arrested for appearing on a fake news show.

The main question Rosewater grapples with is whether Stewart can hack it as a filmmaker. The answer: sort of?

Stewart's wryly observant qualities as a TV star serve him well in his feature film debut.

Rosewater, starring the geeky-charismatic Gael Garcia Bernal as Bahari, is a gripping drama, smartly calibrated for Western audiences who still need an education in the bright, progressive, fight-back impulses in Iranian culture.

Though at times Rosewater is clearly the work of a first-timer still finding his voice, Stewart is indisputably a real filmmaker.

The virtue of this movie is its commitment to political ambiguity and emotional truth.

"Rosewater" marks the debut of a director whose brains and guts are the equal or the better of his eye and heart .

Stewart proves to be an able filmmaker in "Rosewater." But he also shows hints of being something more.

Stewart does a solid job of handling the facts of the time; it feels true to the moment, like a filmed Newsweek story. Creative acting, dramatizedthemes, gifted cinematic styling? Not so much.

Rosewater . has an urgency that's all about the storytelling smarts of its first-time writer-director.

Stewart and cinematographer Bobby Bukowski cover it all in a straightforward, watchable way, the performances are all sincere and solid and the situation is easy to respond to emotionally.

Stewart's enthusiasm for his story and passion about injustice ring clear, but throughout what could have been a dreadfully somber film, he remembers to breathe.

Stewart can never quite answer the question: Why this man's story, of all the ones that should be told? And why now, five years later?

The film goes slightly beyond rigorous earnestness and settles into a kind of stubborn atonement.

This is Jon Stewart's directorial debut; the talk show comedian has a handle on the material and conveys it clearly.

Jon Stewart's filmmaking debut "Rosewater" has much in common with "The Daily Show" - it's blaringly obvious, it's naive, it plays to the cheap seats and it's enamored with cheap jokes.

Rosewater is an earnest picture, but it's also got some juice - there's vitality and feeling in it, the secret ingredients so often missing from even the most well-intentioned first features.

What makes "Rosewater" different from similar entries in what might be called the Triumph of the Imprisoned Spirit genre is that the hero is hardly an ideologue, despite having sympathy for the Iranian reformers and the Green party.

It's a movie made for people who prefer to take their politics while sitting on the couch.

Earnest, well-acted, less than urgent, but more than a vanity project.

In outline, Rosewater sounds earnest, one-note, relentless - something you'd watch out of a sense of duty. But it turns out to be a sly, layered work, charged with dark wit along with horror.

The result neither portrays the suffering of Bahari's incarceration adequately nor lampoons the absurdities of the situation.

While it may seem like another triumph-over-adversity tale, the movie is really about what sustains us during impossible moments.

Rosewater certainly has merit as an act of atonement on Stewart's part and a tribute to people like Bahari. In the end, however, the movie needs to stand on its own, apart from its noble intentions and the popularity of its writer-director.

"Rosewater" doesn't hector, nor does it giggle about the issue of press freedom. It's an impressive and important piece of storytelling.

Mr. Stewart's interest in the material is obviously personal, but his movie transcends mere self-interest.

Stewart lets the truth roll out, the best he can, believing in the sanitizing effect of sunlight and the inevitable fate that awaits all despots.

For a first effort, Stewart hasn't done a bad job. There's just the nagging feeling with "Rosewater" that a better movie was possible.

Stewart acquits himself solidly, though not thrillingly, as a beginning director .

Stewart has created an informative, dark and witty story imbued with black humor surrounding Bahari's confinement.

While the film keeps telling us that Bahari survived his ordeal by freeing his mind from imprisonment and eventually outsmarting his rosewater-scented interrogator, we are told that he's doing so more than we're seeing it.

The hard-focus clarity of the images (Bobby Bukowski did the cinematography) leads to an intimacy with anguish that passes into expressionism.

A persuasive production despite its limited budget .

A strong, striking political drama.

The film settles into the kind of sobriety you've seen too often .

That the movie is as tense and chilling as it is owes much to first-time director Jon Stewart's keen eye for the way humor surfaces even in the dark places.

A finely wrought, powerful drama that tells the true story of an Iranian-born journalist's imprisonment and torture by the Islamic regime in Iran.

With Rosewater, Stewart proves he can pull back from the satirical comedy and become a thoughtful, incisive and questioning filmmaker.

A solid, powerfully acted political drama about human endurance in the face of ideological oppression.

Centrist mush-basic, boilerplate human-interest stuff that's too shapeless to completely work as drama, and too depoliticized to be taken seriously as anything else.

A clear-headed, sensitive and thoroughly impressive directorial debut for the Comedy Central host.
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